Understanding Aspect Ratios: Why Some Anime Have Black Bars
You're watching an anime on your brand new widescreen TV. The show looks great, the colors are vibrant, but… wait, why are there black bars on the sides?
Or maybe you're watching an older series, and suddenly there are thick black bars on the top and bottom of the screen.
You might be tempted to zoom in or stretch the image to fill the screen. But before you do that, let's talk about what's really going on.
Those black bars aren't a mistake. They're not a flaw in your video file. They're actually there for a very specific reason: aspect ratio.
Today, we're diving deep into the world of aspect ratios. We'll explain what they are, why anime uses different ones, and whether you should keep those black bars or remove them.
Trust us – by the end of this article, you'll never look at black bars the same way again.
What Is Aspect Ratio, Anyway?
Let's start with the basics.
Aspect ratio is the proportional relationship between the width and height of an image or video. It's usually expressed as two numbers separated by a colon, like 4:3 or 16:9.
If an aspect ratio is 4:3, it means for every 4 units of width, there are 3 units of height.
If it's 16:9, for every 16 units of width, there are 9 units of height.
Think of it like the shape of the screen. Some screens are more square-like. Others are wide and rectangular. The aspect ratio tells you which shape you're dealing with.
Common Aspect Ratios in Anime:
Standard Definition (SD)
Used from the 1960s to early 2000s
Examples: Dragon Ball Z, Sailor Moon, Cowboy Bebop (original broadcast)
High Definition (HD) Widescreen
Used from mid-2000s to present
Examples: Attack on Titan, My Hero Academia, Demon Slayer
Cinematic Widescreen
Used for movies and some modern anime
Examples: Your Name, A Silent Voice, Evangelion: 3.0+1.0
Why Do Black Bars Appear?
Now that we know what aspect ratios are, let's talk about those black bars. They come in two flavors:
1. Pillarboxing (Black Bars on the Sides)
This happens when you watch 4:3 content on a 16:9 screen.
Imagine trying to fit a square photo into a rectangular frame. You have two choices:
- Add black bars on the sides to preserve the entire image
- Stretch or crop the image to fill the frame
Pillarboxing is the first option. The black bars preserve the original image without distortion.
You're watching Naruto (which aired in 4:3) on your modern 16:9 TV. You see black bars on the left and right. That's pillarboxing.
2. Letterboxing (Black Bars on Top and Bottom)
This happens when you watch ultra-widescreen content (like 2.35:1) on a 16:9 screen.
Movie theaters use extremely wide screens to create a cinematic experience. When those movies are shown on your TV, black bars appear on the top and bottom to preserve that wide format.
You're watching Your Name (a theatrical film with 2.35:1 aspect ratio) on your 16:9 TV. You see black bars on the top and bottom. That's letterboxing.
The History: Why Did Aspect Ratios Change?
Aspect ratios didn't change randomly. They evolved with technology and viewing habits.
The 4:3 Era (1960s - Early 2000s)
For decades, televisions were designed with a 4:3 aspect ratio. This was close to a square shape and matched the film standards of the time.
Almost all classic anime was produced in 4:3:
- Astro Boy (1963)
- Mobile Suit Gundam (1979)
- Dragon Ball Z (1989)
- Sailor Moon (1992)
- Cowboy Bebop (1998)
These shows were designed to be viewed on boxy CRT televisions. The directors composed every shot with 4:3 in mind.
The Widescreen Revolution (Mid-2000s - Present)
In the early 2000s, widescreen TVs (16:9) started becoming popular. They offered a more cinematic experience and matched the way human vision works (we see more horizontally than vertically).
By the mid-2000s, most anime studios switched to 16:9 production:
- Fullmetal Alchemist: Brotherhood (2009)
- Attack on Titan (2013)
- My Hero Academia (2016)
- Demon Slayer (2019)
Modern anime is designed for widescreen from the start. Directors can compose wider shots and include more background detail.
Your Name, Weathering With You| Aspect Ratio | Era | Common Use | Examples |
|---|---|---|---|
| 4:3 | 1960s - Early 2000s | TV Broadcast (SD) | DBZ, Sailor Moon, Naruto (early) |
| 16:9 | Mid-2000s - Present | TV Broadcast (HD) | Attack on Titan, MHA, Demon Slayer |
| 2.35:1 | Always | Theatrical Films |
The Great Debate: To Crop or Not to Crop?
Here's where things get controversial. When you watch 4:3 anime on a 16:9 screen, you have options:
Option 1: Keep the Black Bars (Pillarboxing)
- You see the entire original image
- No distortion or stretching
- Respects the director's original composition
- No loss of visual information
- Black bars take up screen space
- Image appears smaller on your TV
- Some people find it distracting
Option 2: Stretch to Fill
Stretching a 4:3 image to fill a 16:9 screen makes everything look wide and fat. Characters look like they've gained weight. Circles become ovals. It's visually jarring and disrespectful to the original artwork.
Option 3: Zoom/Crop
- Fills the entire screen
- No black bars
- Image appears larger
- You lose up to 25% of the image!
- Cuts off the top and bottom of the frame
- May remove important visual information
- Destroys the director's original composition
When you crop 4:3 to 16:9, you might lose:
• Subtitles or on-screen text
• Character expressions (heads getting cut off)
• Background details
• Action happening at the top or bottom of the frame
Special Cases: When Black Bars Are Intentional
Sometimes, black bars aren't about aspect ratio mismatch. They're actually part of the artistic vision.
Cinematic Letterboxing
Some modern anime use letterboxing even on 16:9 displays for dramatic effect. Directors use it to:
- Create a more cinematic feel
- Focus attention on specific parts of the frame
- Build tension during dramatic scenes
Evangelion: 3.0+1.0 uses changing aspect ratios throughout the film. Some scenes are 16:9, others are ultra-widescreen. This is an artistic choice, not a mistake.
The "Anime Film" Look
Many anime films are produced in 2.35:1 (ultra-widescreen) to differentiate them from TV anime and create a theatrical experience. When you watch these at home, letterboxing is supposed to be there.
What About Remasters and Re-releases?
When old anime gets remastered for Blu-ray, studios face a choice:
Option A: Preserve the Original 4:3
Most high-quality remasters keep the original aspect ratio with pillarboxing. This is the purist approach.
Examples done right:
- Cowboy Bebop Blu-ray (preserves 4:3)
- Sailor Moon remaster (preserves 4:3)
- Dragon Ball Z Kai (preserves 4:3 for early episodes)
Option B: Crop to 16:9
Some studios crop old anime to widescreen. This is highly controversial among fans.
When studios crop 4:3 anime to 16:9 for remasters, they're permanently removing part of the original image. You can't get it back. Many fans consider this destructive to the artwork.
Examples that caused controversy:
- Naruto Shippuden HD broadcast (cropped)
- Some One Piece remasters (cropped)
Option C: Re-compose for 16:9
Rarely, if the original production files still exist, studios can re-compose the show for 16:9 by extending the background. This is the best of both worlds but very expensive.
Example done right:
- Fullmetal Alchemist (2003) - some releases extended the background
How to Handle Aspect Ratios in Your Media Player
Most media players give you control over aspect ratio. Here's what to look for:
VLC Media Player:
- Go to Video > Aspect Ratio
- Choose "Original" to preserve the source ratio
- Avoid "Stretch" or "Zoom" unless you have a specific reason
Plex/Jellyfin:
- Usually defaults to "Auto" which preserves the original
- Check settings under Video > Aspect Ratio
- You can set preferences per library
Smart TVs:
- Look for "Aspect Ratio," "Picture Size," or "Screen Fit" in settings
- Choose "Original," "Just Scan," or "16:9" (not "Zoom" or "Wide")
- Avoid "Stretch," "Cinema Zoom," or "Wide Zoom"
If you're watching a 4:3 anime, the black bars are supposed to be there. Don't feel like you need to "fix" it. You're seeing the show exactly as the director intended.
Common Misconceptions
Let's clear up some myths about aspect ratios and black bars:
False. Black bars have nothing to do with quality. They're just part of the aspect ratio. A 4:3 anime with pillarboxing can be higher quality than a poorly encoded 16:9 anime.
Not necessarily. Your TV screen is a tool to display the image, not something that needs to be "filled." Would you stretch a painting to fit a different-sized frame? No. Same principle.
They do, but not how you think. Modern TVs do detect aspect ratios automatically. They add black bars on purpose to preserve the original image. This is correct behavior.
Final Thoughts
Black bars aren't the enemy. They're not a flaw or a mistake. They're a feature that preserves the artistic integrity of the anime you're watching.
When you see pillarboxing on a 4:3 anime, you're seeing the complete image, exactly as the director composed it. Every character placement, every background detail, every visual element is there.
When you see letterboxing on an anime film, you're experiencing the cinematic format that was designed for the big screen.
Yes, the image might be smaller on your TV. Yes, you might not be using every pixel of your expensive 4K display. But you're seeing the complete artwork.
Our Recommendation:
Keep the black bars.
Embrace the original aspect ratio. Trust the directors and animators who created the show. They knew what they were doing when they composed each shot.
If you want to fill your screen, buy a 4:3 TV (good luck finding one). Or accept that different shows have different shapes, and that's okay.
After all, anime is art. And you don't crop art to fit your wall. You make the wall work for the art.
Respect the aspect ratio. Respect the art. Enjoy the show.